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Installation view of The Super-Suburb Defence Authority at Josh Lilley, presenting Carla Busuttil
Installation view of The Super-Suburb Defence Authority at Josh Lilley, presenting Carla Busuttil
Installation view of The Super-Suburb Defence Authority at Josh Lilley, presenting Carla Busuttil
Installation view of The Super-Suburb Defence Authority at Josh Lilley, presenting Carla Busuttil
Installation view of The Super-Suburb Defence Authority at Josh Lilley, presenting Carla Busuttil
Installation view of The Super-Suburb Defence Authority at Josh Lilley, presenting Carla Busuttil
Installation view of The Super-Suburb Defence Authority at Josh Lilley, presenting Carla Busuttil

Artworks

We are the students of Sir Pierre. Sir Pierre Van Rynefeld by Carla Busuttil, 2016
The Super-suburb Defence Authority by Carla Busuttil, 2016
Pyramid Tactics by Carla Busuttil, 2016
Nightwatchman 1 by Carla Busuttil, 2016
Nightwatchman 4 by Carla Busuttil, 2016
Nightwatchman 3 by Carla Busuttil, 2016
Boko Boy by Carla Busuttil, 2016
The Hordes by Carla Busuttil, 2016
The Wolf of Woburn Circle by Carla Busuttil, 2016
Super High Vis by Carla Busuttil, 2016
Pyramid Tactics by Carla Busuttil, 2016
The Fourth Wall by Carla Busuttil, 2016
The Lynx by Carla Busuttil, 2016

Carla Busuttil

The Super-Suburb Defence Authority

18 November – 23 December 2016

Josh Lilley is pleased to announce Carla Busuttil’s third solo exhibition at the gallery.

Busuttil’s disobedient, lurid painting style allows for a portraiture that can, through subtleties in handling, capture the fertility of life or castigate the powerful and entitled. The Super-Suburb Defence Authority combines a new group of oil portraits with elements from a conceptual project, Mosquito Lightning (realised in collaboration with Chris Saunders and Gary Charles), that sees the artist expand for the first time into the realm of disruption and social engagement.

The exhibition draws on the artist's study of South African private security, a loosely regulated industry, employing more people than the police force and the army combined, that serves as a militarised gatekeeper between the rich and poor. Following extensive research in Johannesburg, Busuttil founded her own firm, Mosquito Lightning, modelling its website, promotional film and printed materials on the tone and texture of actual security companies. Busuttil highlights the absurd mechanics of a service that demands an amplification of fear in order to profit from the promise of its eradication. And she offers viewers a website to visit and a phone number to call.

Mosquito Lightning is a commedia dell'arte or culture jam, a parody and heavy subversion of the real world, yet it pierces a membrane of plausibility. Fear is a currency and isolation a lifestyle in Busuttil's work, and the starkness of these propositions infects the paintings on display. The privileged are painted in formation, with the staging of official photographs from private schools and private business. Blank, brightly hued backgrounds suggest a space both generic and otherworldly. Men and women in uniform have poise but no purpose, they could be bored as much as brainwashed. Long faces rendered as masks, painted on cricket pads salvaged from thrift stores, conjure colonial ghosts. Humour turns to terror, and back again, in an instant.

Carla Busuttil (b.1982, Johannesburg, South Africa) completed the Postgraduate Programme at Royal Academy Schools, London, following on from a BA (Hons.) in Fine Arts at the University of Witwatersrand, Johannesburg. Her work has featured in group shows, including: Newspeak: British Art Now, at the Saatchi Gallery, London and AGSA, Adelaide, and in the Jerwood Contemporary Painting Prize, Jerwood Space, London, and the John Moores Painting Prize at the Walker Gallery, Liverpool. She has held numerous solo shows including Josh Lilley, London and Space K, Seoul as well as Goodman Gallery, Johannesburg and Cape Town.