Peter Linde Busk

Peter Linde Busk (b. 1973, Copenhagen, Denmark) is a feral Academy artist, a painter whose skills and appetite for materials have led him to a style of painting that often closes in on sculpture and operates at an almost geological level, stratified and in contact with deep history. Busk has been the subject of three solo exhibitions and multiple group exhibitions — including the 2009 inaugural show — at Josh Lilley, as well as institutional solo exhibitions at the Borås Konstmuseum, Borås, Sweden; GL STRAND, Copenhagen; and the Holstebro Kunstmuseum, Holstebro, Denmark.

Peter Linde Busk lives and works in Copenhagen.

Education

2009, MA Fine Art, The Royal Academy of Arts, London
2008, Gasthoererschaft zum Studium fur Freie Kunst, w. professor Peter Doig, Kunstakademie Duesseldorf, Duesseldorf
2006, BA in Fine Art, The Slade School of Fine Art, London
2004, BA in Fine Art (exchange stay), Hunter College of Art, New York

Solo Exhibitions

2020
Hold Your Own, Josh Lilley, London

2019
The Generous Gambler, Derek Eller Gallery, New York

2017
And in That Place He Did Succumb to What Was Offered, Galleri Bo Bjerggaard, Copenhagen
Danse Macabre, Borås Konstmuseum, Borås

2016
To Carthage Then I Came Where a Cauldron of Unholy Loves Sang All About My Ears, Josh Lilley, London
Any Port in a Storm, Derek Eller Gallery, New York

2015
Fear the Goat from the Front, the Horse from the Rear and Man from all Sides, GL Strand, Copenhagen
Gentlemen, Monitor, Rome

2013
Piont D’appui, Josh Lilley, London
The Carollers of Kolbijk, Galleri Bo Bjerggaard, Copenhagen
The Staging Area, Holstebro Kunstmuseum, Holstebro

2012
ABC Berlin (solo presentation with Rob Tuffnell and MONITOR), Berlin
No Pasaran, MONITOR, Rome

2011
LISTE16, Basel (solo presentation with Rob Tuffnell) Currahee, Rob Tuffnell, London

2010
Bold as a lunatic troupe of demons in drunken parade, Gallery Christina Wilson, Copenhagen
Full Catastrophe Living, Ancient and Modern, London

2009
Hey, that’s no way to say goodbye, (Postgraduate Diploma Degree show), The Royal Academy Schools Show, Royal Academy of Arts, London
Full Catastrophe Living, Ancient and Modern, London

2008
And all I ever wanted was everything, Art Copenhagen (solo presentation with Galleri Christina Wilson), Forum, Copenhagen

2007
Ancient and Modern, London

2006
Come at the King, You Best Not Miss, Galleri Christina Wilson,Copenhagen
Hail to the Failed, (BA Degree show), Slade Summer Show, Slade School of Fine Art, UCL, London

Group Exhibitions

2019
Stains on a Decade, Josh Lilley, London
Kaleidoscope, Saatchi Gallery, London

2017
Greed, Holstebro Kunstmuseum, Holstebro

2016
Water Biscuit, Josh Lilley, London

2014
Un’Idea di Pittura I, Monitor, Rome
New Hells, curated by Isaac Lyles, Derek Eller Gallery, New York

2013
Le ragioni della pittura. Esiti e prospettive di un medium, Palazzo de Sanctis, Castelbasso
Post Post Anxiety, International Art Objects Galleries, Los Angeles
The Scandalized Mask, Josh Lilley, London
The Reasons of Painting, Palazzo de Sanctis, Castelbasso, Teramo
Chicken or Beef?, The Hole, New York
La Figurazione Inevitabile (The Inevitable Figuration), Museum Pecci, Florence

2012
Murder Ink, Der Grieche, Berlin
Unknown Paintings, Michael Janssen Gallery, Berlin

2011
Group Show, Schwarz Contemporary, Berlin
Voyage to the beautiful self, Danske Grafikers Hus, Copenhagen
Stories being told, BolteLang, Zurich

2010
Newspeak: British Art Now, Saatchi Gallery, London
Etwas viele, bißchen langweilige, ganz kleine Radierungen, Niels Borch Jensen Gallery, Berlin
The Long Dark, curated by Michelle Cotton, Kettle’s Yard, Cambridge
Hatton Gallery, Newcastle
International 3, Manchester
A Formal Figure, The Forgotten Bar Project, Berlin

2009
Studio Voltaire Presents, Boltelang Gallery, Zurich
Daily Miracles, Josh Lilley, London

2008
Premiums Show, Royal Academy of Art, London

2007
Aquarium, C4RD (Centre for Recent Drawing), London
5 years anniversary show, Galleri Christina Wilson, Copenhagen
Strange Weight, Martos Gallery, New York

CV

Click here to download.
Mand falder III (Hommage til Per Kirkeby)
Another Such Victory and I Will Come Back to Epirus Alone
Acrobat
Violent Heart
Installation View: Hold Your Own
Installation View: Hold Your Own
Installation View: To Carthage Then I Came Where a Cauldron of Unholy Loves Sang All about My Ears
Installation View: To Carthage Then I Came Where a Cauldron of Unholy Loves Sang All about My Ears
Installation View: To Carthage Then I Came Where a Cauldron of Unholy Loves Sang All about My Ears
Installation View: To Carthage Then I Came Where a Cauldron of Unholy Loves Sang All about My Ears
Defrocked
Win the Battle, Lose the War
Im Kampf Zwischen Dir und der Welt, Sekundiere der Welt
Clipped Wings
Imagine Sisyphus Happy
See – Here He Comes, out of His Rocky Dwelling, Drunk Singing an Ugly Noise, Howling All over the Place and out of Tune
When the Fall Is All that There Is, It Matters a Great Deal
The Next Time I Kill You, Scharlach Replied, I Promise You the Labyrinth that Consists of a Single Straight Line that Is Invisible and Endless
Everything. Everyone. Everywhere. Ends
Relax, Release, Return
Every Day, in Every Way, I’m Getting Better and Better
At Least I’m not Racing to a Red Light
Saw It Written and I Saw It Say, Pink Moon Is on Its Way
It’s Never Too Late to Start All Over Again
Mand Falder IV
She Fills the Bag 'neath Her Eyes with Moonbeams and Cries ‘Cause the World’s Passed Her by
He Who with a Tragic Song Competed for a Mere Goat
Mount Edna
She Who Is Milk-White
Rank
We, the Drowned
And Then I See a Darkness
Oh, There I Stand B’neath the Marquee Moon, Just Waiting
Flip a Coin, When It’s in the Air You Know Which Side You Are Hoping For
You Must Lead the Dance With Me, the Letter of Indulgence Does Not Help You. You Must Dance to My Pipes
I May Well Have Reached a Kind of Impasse
If you’re gambling and you’ve got the edge, don’t you wanna keep the gambling goin? Unless you don’t like gambling, raising the question why you’re at the table. As I sometimes ask myself (Ariadne)
Tannhäuser
Only a Certain Set of 'Nobly' Expressive Positions and Gestures are Appropriate in the Representation of the Human Figure
My Flag Boy Told Your Flag Boy, I'm Gonna Set Your Flag On Fire
Installation view: Point D’appui
Installation view: The Scandalized Mask
Installation view: Point D’appui
Installation view: Point D’appui
Answer a Question with a Question
He Chooses His Words Carefully and is Good at Violence
I Could Have Been Your Pillow, Could Have Been Your Door, I Could Have Stayed Beside You, Could Have Stayed For More. Could Have Been Your Statue, Could Have Been Your Friend, A Whole Long Lifetime Could Have Been The End
Dance Macabre
Jesus' Blood Never Failed Me Yet
Dead Man's Hand - Detail view
Charakterkopf 4
Orpheus at the Shore
They Don't Give you any Hope, but they Leave you Plenty of Rope
Point D'appui
Dead Man's Hand
She Fills The Bags N'eath Her Eyes With The Moonbeams and Cries 'Cause the World's Passed Her By
The Killer in me is the Killer in You

Exhibitions

Hold Your Own

Hold Your Own

Solo Show

Stains on a Decade

Stains on a Decade

Group Show

To Carthage Then I Came Where a Cauldron of Unholy Loves Sang All about My Ears

To Carthage Then I Came Where a Cauldron of Unholy Loves Sang All about My Ears

Solo Show

Water Biscuit

Water Biscuit

Group Show

Point D’appui

Point D’appui

Solo Show

The Scandalized Mask

The Scandalized Mask

Group Show

Daily Miracles

Daily Miracles

Group Show